brovi: Gillian Anderson. The real story behind X-Files: 'Duchovny The Nazi Boys' scheme millions ...Gillian Anderson's skirt-tails ...and after 2002.
Gillian Anderson - Stalked by Nazi Hollywood - Still!
As a prelude: For those who may not know, old Hollywood has stalked and threatened Anderson for years. Old corp. Hollywood, along with their X-Files projects, has a tarnished and documented history. It's extremely oppressive. Their X-Files projects are the catalyst used by old Nazi Hollywood to torture Gillian Anderson for over a decade.
There's no love lost between them (all of them) and Anderson. This coincides with the hostilities injected and lack of support from coworkers on the set of the TV X-Files, in Anderson's fight against departmental injustices relating to women's rights for working mothers. The X-Files 'boys club' (Spotnitz, Carter and Duchvony) on the TV series showed the world precisely were they stood (or rather sat and still do) in 2002 when Gillian Anderson stood up for herself, more importantly for her first newborn child and for women's rights.
SAME MANAGEMENT SUPPORTED NAZI GERMANY -
MAKES 'X-FILES 2'
'X-Files 2' and Nazism: Around the movie lots in LA, CA there's an unspoken understanding. Old corp. Hollywood, their pet Fox studios, along with their X-Files projects are one in the same. Moreover, their governing ideologies are synonymous with WWII Germany. This isn't new news. Far from it!
The Bush/Hollywood conglomerate supported the Nazi Party until 1942. The Bushes financially supported Germany's Nazi war-machine. And, old Hollywood assisted in supporting their Nazi propaganda-machine. Both parties ruled supreme until most recently. This is not to say that the Rockefellers and Rothschilds are not the Bush/Hollywood financiers and mentors, then and now.
[For those who haven't done the research, and wish to risk a bittersweet peek into a today's reality of old Hollywood/U.S. Government it's no longer too difficult to uncover.]
CORP. 'X-FILES' HIDES TRUTH -
A NAZI BUSH/HOLLYWOOD FLAGSHIP
What does this have to do with 'X-Files 2'? Everything. This also is why Gillian Anderson left the TV series X-Files in 2002, why she left the U.S. immediately thereafter, and why she has been desperately trying to avoid involvement with this group.
She's left no room for doubt concerning this matter over the years via her many quoted comments. Yet, most have been buried by today's quickly fading supreme ruler of the arts/media monopoly 'old Hollywood.'
Fortunately today's U.S. Bush/Hollywood Nazism propaganda regime are on the outs. There was a silent and successful [ongoing] coup September of last year replacing old Hollywood's management with a much more upright management and a democratic group. The silent nation-saving-face-coup has put old Hollywood running for cover and run out of town.
Yet old Hollywood's takeover was/is a conditional surrender due to their deep roots -90 years- supplanted into the U.S. over all economic infrastructure, stock market and political entanglements.
This has left them with a few razor sharp teeth as they exit the stage. Fighting to the end department heads exit with a -still intact- small portfolio of quickly eroding connections, barely legal contracts and years in the making projects [in progress] within the industry.
Sadly there's little recourse for actors who, in large part, have become mere pawns in this behind the camera political and silent nightmare thrashing about in today's arts/media.
An actor's sound judgement and shrewd attorney is a wise weapon of choice when grappling with today's desperate old Hollywood in this changing of the guard in Hollywood CA. For actors and writers it's, 'every man for himself.'
['F**k Hollywood'] is the common retort of the day for working actors when old Hollywood comes calling and bluffing with their old contractual demands and once powerful threats. And, 'keep your friends close and your enemies closer' could not be more important than today to an actor.
Those closest to Hollywood CA studios can't keep from knowing what's up. Old Hollywood services are no longer required. This makes them completely antiquated thus bankrupt. Yet, like trying to evict someone from their home it will take some time to get them out, but they're done.
With today's technology regarding movie making equipment [digital camera] and distribution [internet] anyone can become a successful movie-maker making high quality movies cheaply. Cheap. 'Old Corp. Hollywood - Services No Longer Required.'
ACTORS LAY LOW - AND ANDERSON RISKS ALL
It's difficult not to notice that most name brand actors, as Anderson, have been laying as low as possible for some time. Things still have to be sorted out within the takeover.
In 2002 Anderson was about six years ahead of her time. She was one of the first fighters in resistance against our nation's Nazism propaganda voice 'old Hollywood' [calling itself a democracy.] This is not to say that she is -at all- the only actor or artist currently resisting.
Nor is this to say that her intent was to do anything noble for society. Her true motive is a private matter. We don't know if Anderson is a saint or not. We do know this: anyone who supports the Bush/Hollywood regime, even by complacency and especially by unspoken capitulation to the regime's monopoly of the arts/media as their self-serving propaganda machine, is a Nazi or boot-licking sympathizer. Relative to this truth Gillian Anderson stated publicly that TV (old Nazi Hollywood) is ruining society. That is a pretty clear -enough- statement, one which brought her three months of merciless slander in old Hollywood's rags. (She is clearly aware, via her carefully chosen words, that this is, in fact, a gross understatement.)
Few know how far she stuck her neck out on the chopping block by making that published comment and fewer care, unfortunately. Fact is, any resistance is good. This is not to say one should spend too much of their time fighting it because that's like trying to grasp oil. The great oppressing the people will always be with us.
Thing is, we should never support it or feed it. Resist and speak against it when an opportunity shows itself. Anderson would have made a perfect insider spy, as today, in WWII Germany. She seems to always be one step ahead of old Hollywood and holding her own against this giant oppressor 'mother and child' bully.
There are endearing memories indelibly implanted in our hopeful minds via movies produced by old Hollywood. However, even with these Nazi kisses on the brain, they can't fully supplant their false reality within the upright majority. Clearly, over the decades, there have been a small number of endearing projects that old Hollywood financed, amongst a mountain of propaganda flooding every avenue of social and civic life. Racial and class segregation and war is the result of this propaganda: a shitty and broken society. Now what are we going to do about it? Maybe take Anderson's example: resist. There's ever mounting indisputable facts relating to who these faceless giant corporate conglomerates are. Their twisted motive and direction reeks of despotism.
There's absolutely nothing even remotely endearing nor honorable about old corp. Hollywood or their partners in crime. Its' infrastructure, motives and direction, ideologies and business ethics are corrupt, and socially undermining and controlling.
U.S. NAZISM VOICE - HOLLYWOOD - ADVERTISES AS DEMOCRACY - ANDERSON'S OPPRESSOR
In large part, those here in Hollywood, CA, especially actors, are certainly aware that old corp. Hollywood is totally a 'Nazi Landing' responsible for managing the U.S. Government's iron-curtain media monopoly.
The purpose of this fascist-like propaganda machine has been to crush the voice of the upright majority and dumb down the whole U.S. society while also networking strong in the UK.
Over the last 90 years -until last year- old Hollywood managed to become sole owner and/or controller of all U.S. mainstream arts/media and much of the UK. Moreover, only dreams of global domination would motivate one nation to buy up another nation's arts/media.
The blurred line between corporations and the Government and their merging is definetly key here. "Fascism should more properly be called Corporatism because it is the merger of state and corporate power."
It's critically important when referencing Anderson to picture Fox's 'X-Files 2' management team (crime-dogs) as the Heads for the Bush/Hollywood Nazi propaganda regime. In 2002 when Anderson quit X-Files without or with little notice, it was close to one standing before the Heads of the SS in WWII Germany and telling them to shut their frigging gourd! For real.
In hindsight, it's obvious Anderson's hate for corp. Nazis got her into something way beyond her maturity level. This life threatening battle chose her via her personal convictions not the other way around. However, she did have enough sense to leave the U.S. pronto once she told old Hollywood's X-Files department heads what they could do with their fascist ways and hot garbage juice.
UPRIGHT MAJORITY CONFESSES BUSH/HOLLYWOOD NAZIS - ANDERSON SURVIVES THEM AND X-FILES
It's the upright majority that have no reservations concerning faceless old Hollywood. In the U.S. we're experiencing the reincarnation of Dr. Goebbels' propaganda machine in WWII Germany governed by the Gestapo. Furthermore, if an actor is employed -once- by old Hollywood [ministry of Nazi propaganda] they become its property via mafia-like lifelong contracts. An actor has little if any choice in matters concerning what project old Hollywood dictates if they wish to continue being considered for movie projects or wish to stay employed.
For Anderson to have survived as well as she has and/or at all after denouncing them -and she still does- especially after publicly denouncing them via the very fame that that regime clothed her with is short of a miracle. She's either scary intuitive and/or one of the luckiest people on the planet, or both. Old Hollywood's slander-machine and/or celebrity gossip rags trash her reputation and they continue to blackball her in the industry. Yet, she continues to land on her feet and continues to speak out.
Honestly, truly, Anderson deserves an award for her outward public persona when dealing within old Hollywood's forced events and absolutely for her out playing them at their own game.
GILLIAN ANDERSON SPEAKS OUT
Anderson (in real life) is skilled at the hidden yet blatant one-liner and tell-all facial expression, tone, dress and demeanor. She utilizes this to speak truthfully concerning old Hollywood and their projects. How does an artist survive under a Nazi regime? It seems Anderson is becoming good at this.
ANDERSON WARNS PUBLIC 'NAZI HOLLYWOOD' - SOCIETY COMPLACENT
Between-the-lines-Anderson has been using her X-File years inside info to warn the public about the U.S. 'iron curtain' arts/media monopoly atrocity since 2002 -in turn supporting the resistance movement here in the U.S. No way is sucking face with Nazis Anderson's thing. Rumor has it that Anderson's off fascism and boot-licking sympathizers. Moreover, she's no longer that mentally burnt actor (worked to death for a decade via TV X-Files) nor is she that same 2002 naive youngster.
GA STILL RESISTS - BECOMES ICON FOR RESISTANCE
Anderson of course is aware how much her hardline 2002 resignation at high ratings cost old Hollywood's bank accounts [millions.] To them that's like Anderson breaking into their house and stealing millions of dollars from their home safe. Old Hollywood has made it blatantly clear that they loathe Anderson to her very core. She is aware of the damning info she possesses and knows that powerful, lawless egomaniac Nazis, who feel they've been slighted, live for vengeance.
Moreover, old Hollywood's inherent need to hide their sins also puts Anderson on their top ten list of 'enemy number one.' Over the years Gillian Anderson has inadvertently become a catalyst and icon for resistance against our nation's oppressive status quo. In the end she will be praised for it.
GILLIAN ANDERSON'S STORY -
WHAT MOVIES ARE MADE OF
Their faceless constant attempts to control her and have her pay them back for the millions she cost them via her TV X-Files pull-out is quite evident. (Payback: 'X-Files 2'.) Old Hollywood has been stalking, slandering, blackballing and coercing her for six long years. Their recent downfall last year could not have come at a better time for her. However, at this year's WonderCon 2008 they made it perfectly clear their intentions to keep her under their control and working their assigned movie projects.
Acting like old Hollywood's Big Brother, Carter made a very pointed comment at her implying that she will participate in their future movie projects. Her response to this threat was not, like, thank you for the offer. She refused to respond. Their threat is all bluff. Old Hollywood is so over. However, make no doubt about this faceless corporate Hollywood's current history. It proves that these are potentially dangerous people indeed with no soul who will stop at nothing to get their way.
Anderson having intimate knowledge about the old Hollywood regime, worthy to publish in hardback (probably her greatest protection), congruent with her audacious and adverse reaction against them and her willingness to publicly speak out, puts them at risk. She still holds strong favor from a huge majority. She hasn't learned yet -it seems- how to greatly use that in her favor but she's growing.
Furthermore, it's got to be embarrassing for giant corp. conglomerate Nazis to be -metaphorically- castrated or outwitted by a young stand alone female. It must cause them many sleepless nights wondering how to make her stumble. It was inevitable that these nerds would endeavor to make a few more tainted bucks on their way out at her expense. Also revenge and payback relating to Anderson's righteous betrayal against them in 2002 is a factor that can't be ignored. With their days being seriously numbered 'X-Files 2' would be the logical vehicle for a quick tainted buck and vengeance.
It should be Anderson seeking retribution against old Hollywood. They robbed her of first motherhood. Within the first precious years of her first born child's life, she seldom had contact with her. For a near decade Anderson's contract kept her at work 16 to 17 hours a day five and a half days a week for nine moths straight out of the year.
In fact, in large part, due to her well known documented abuse, a law was passed shortly thereafter protecting acting mothers with small children. There is no way they could get away with what they did to Anderson and her child, these days. Now look how many female actors are having babies!
Score one for Anderson. Nazi dorks zip. We can only hope that in their weakened state on all fronts, and with Anderson's lawyers, that she is calling all the shots concerning her coerced humiliation in working with these X-Files Nazis again.
ANDERSON TRUMPS 'X-FILES 2' NAZIS THIS TIME ROUND
In this latest 2008 X-Files project, research shows that Gillian Anderson's managed to only lend her box-office name -appeal- to it not her time, heart or career. However, we don't envy her having to face the 2002 perpetrators -and Nazi sympathizers- of her then and now professional and personal life again. Maybe she will gain more strength from the experience.
Endurance and courage must be Anderson's intimate friends. Her sacrifices made in standing against Nazism are respected. Subsequently they support individual and social correctness (for the betterment of society.)
Her challenges in facing off with one of the most powerfully oppressing entities on the planet comes with a great enough cost to her first motherhood, career and personal life.
SOCIETY'S MAJORITY PROFIT FROM NAZISM - SILENT VOICES - DOES ANDERSON?
The shockingly cavalier attitude of the majority in today's society stinks worse than it's abandonment (Nazi sympathizers.) As long as totalitarianism disguises itself -somewhat- ruling the world with backhanded offerings of ironic freedom and wealth, the majority will sell themselves into a -seemingly- little slavery. That is, as long as they think they will profit from it at the moment. Frigging unbelievable. It's not until their deal with the devil inevitably takes their box with a decent garage via increased taxes and mortgage rates that they turn on their brain. It's not until their jobs are taken away before the retirement benefits are due that they ponder.
A society that allows itself to become the reincarnated society of WWII Germany enabling Nazi tyrants loose upon the world isn't new but it sure sucks. A lame society. Shitty and broken. It's the poor that don't have a box of their own and can't benefit from being self-deceivers who speak out. That's what makes Anderson's 2002 to 2008 [and other actors'] story so refreshingly unique. She had everything to lose by standing up but she didn't waver nor does she still.
However, it wasn't shocking when Rotten Tomato (one of old Hollywood's no. 1 rags) asked DD & GA what they could tell us about the movie. In true Nazi form, David laughingly turned to Anderson and made some tangy and delicious infused comment about the plot. Finger on the trigger Anderson remarked quite frankly, and that was that, "I got tired of fighting it."
Sweet! Yet this has got to be a huge understatement. Again, it seems not much at all has changed between David Duchvony and Gillian Anderson. It seems that the differences between them stem from: how far must one compromise with the Nazis in order to survive...sympathizer vs resistance fighter.
Even after being oppressed for years for standing against Nazism some never cave in. Naturally, history books will not recognize Anderson, nor mention and/or depict this fascist moment in our shameful current history.
[If one person unknowingly saves just one other person because something deep inside compels them to fight against the vile -especially at great personal risk- that person's life has more worth than a whole nation of complacent people.]
GILLIAN ANDERSON UNWITTINGLY BECOMES ICON FOR THOSE IN THE RESISTANCE
The upright majority recognize and are familiar with Anderson's fight against coercive corporatism. Like many of us she could have simply capitulated. The world was hers for the asking in 2002. Instead, she like others chose the path less traveled against a corrupt regime hell bent on national and global fascism, world domination via oppression, and war profiteering and world-wide genocide.
In dedication to the authors of The White Rose we commemorate them via the very words which prematurely cost them their lives:
Vivre libre ou mourir!